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304 pages, Hardcover
First published April 26, 2022
“My biggest discovery was that you can literally re-create your life. You can redefine it. You don't have to live in the past."
“I am a dark-skinned woman. Culturally, there is a spoken and unspoken narrative rooted in Jim Crow. It tells us that dark-skinned women are simply not desirable. All the attributes that are attached to being a woman-desirable, vulnerable, needing to be rescued-don't apply to us. In the past, we've been used as chattel, fodder for inhumane experimentation, and it has evolved into invisibility."
"First ingredient I needed to be an artist, the power to create. The power of alchemy, that magical process of transformation and creation to believe at any given time I could be the somebody I always wanted to be."
“I knew my life would be a fight, and I realized this: I had it in me.”
“The TV and film business is saturated with people who think they're writing something human when it's really a gimmick.”
"I now understand that life and living it is more about being present. I'm now aware that the not-so-happy memories lie in wait; but the hope and the joy also lie in wait."
"Our bodies are not the 'spoils of war'… a trophy to be collected to fuel your ego. It's OURS!!! It doesn't belong to you!! And when you take it without permission, it DESTROYS…… like a virus!!!"
"To the predators.. Weinstein, the stranger, the relative, the boyfriend…. I say to you, 'You can choose your sin but you don't get to choose the consequences.' To the victims…. I see you. I believe you… and I'm listening."
The question still echoes, how did I claw my way out? There is no out. Every painful memory, every mentor, every friend and foe served as a chisel, a leap pad that has shaped “ME!” The imperfect but blessed sculpture that is Viola is still growing and still being chiseled.
My elixir? I’m no longer ashamed of me.
I own everything that has ever happened to me. The parts that were a source of shame are actually my warrior fuel. I see people—the way they walk, talk, laugh, and grieve, and their silence—in a way that is hyperfocused because of my past. I’m an artist because there’s no separation from me and every human being that has passed through the world including my mom.
I have a great deal of compassion for other people, but mostly for myself. That would not be the case if I did not reconcile that little eight-year-old girl and FIND ME.
I’m holding her now. My eight-year-old self. Holding her tight. She is squealing and reminding me, “Don’t worry! I’m here to beat anybody’s ass who messes with our joy! Viola, I got this.”
“Taking off the wig in How to Get Away With Murder was my duty to honor black women by not showing any image that is palatable to the oppressor, to people who have tarnished, punished the image of black womanhood for so long.”
“It was a radical acceptance of my existence without apology and without ownership.”
“Success pales in comparison to healing.”
“I was always on the outside of Juilliard because I wasn’t on the inside of me. I was fighting an ideology about what an actor was, and it was all born in the depth of white superiority.”
“An actor’s work is to be an observer of life. My job is not to study other actors, because that is not studying life. As much as I can, I study people. If you’re my audience, it’s not my job to give you a fantasy. It is my job to give you yourself.”
“Luck is an elusive monster who chooses when to come out of its cave to strike and who will be its recipient. It’s a business of deprivation.”
“There was a lack of intentional investment in us little Black girls… There was an expectation of perfectionism without the knowledge of emotional well-being… How do I get to the mountain-top without legs?... no one is equipping you with tools to do ‘better', to ‘make a life’.”