[ J o ]'s Reviews > Memoirs of a Geisha
Memoirs of a Geisha
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Read as part of The Infinite Variety Reading Challenge, based on the BBC's Big Read Poll of 2003.
There's nothing positive about this book, so let's just go straight in to why it was so bad.
The narrative was unbelievable. And I don't mean "OMGA DID YOU SEE THAT?" kind of unbelievable, I mean it was so unconvincing it was dire. At not point did it feel like a woman, a Geisha, a girl, a human being was telling me a story. It felt so flat and boring and my gosh, she was tedious. She had the emotional range of an egg.
The world description was non-existent. The beginning, when we are in the Japanese countryside, was the only part that was descriptive: we had a lovely house and lovely scenery, and then we moved to Tokyo and all of a sudden it's just grey and stone, and that's it. And oddly empty of people. No atmosphere, no city scenery; it was vague at best. It could have still been happening in the fish factory.
There also needs to be an amendment to the Bechdel Test. 3.1: Two women have a conversation about something that isn't just bitching about other women.
And, whilst I don't agree that "culture" automatically means you forgive something, and I realise it was a different time and a different place, but I don't want to read about creepy old men who creep about pubic hair growing on twelve year olds' vaginas. I just don't.
And I know this is the most unhinged and incoherent review ever, but I also didn't find myself learning anything particular about Geisha. In fact, I'd agree with most other reviewers and say it was far too Westernised and almost Romanticised.
Fun Fact Amendment: All Geisha were originally men. Think about that.
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There's nothing positive about this book, so let's just go straight in to why it was so bad.
The narrative was unbelievable. And I don't mean "OMGA DID YOU SEE THAT?" kind of unbelievable, I mean it was so unconvincing it was dire. At not point did it feel like a woman, a Geisha, a girl, a human being was telling me a story. It felt so flat and boring and my gosh, she was tedious. She had the emotional range of an egg.
The world description was non-existent. The beginning, when we are in the Japanese countryside, was the only part that was descriptive: we had a lovely house and lovely scenery, and then we moved to Tokyo and all of a sudden it's just grey and stone, and that's it. And oddly empty of people. No atmosphere, no city scenery; it was vague at best. It could have still been happening in the fish factory.
There also needs to be an amendment to the Bechdel Test. 3.1: Two women have a conversation about something that isn't just bitching about other women.
And, whilst I don't agree that "culture" automatically means you forgive something, and I realise it was a different time and a different place, but I don't want to read about creepy old men who creep about pubic hair growing on twelve year olds' vaginas. I just don't.
And I know this is the most unhinged and incoherent review ever, but I also didn't find myself learning anything particular about Geisha. In fact, I'd agree with most other reviewers and say it was far too Westernised and almost Romanticised.
Fun Fact Amendment: All Geisha were originally men. Think about that.
Blog | Instagram | Twitter | Pinterest | Shop | Etsy
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Reading Progress
June 20, 2016
–
Started Reading
June 20, 2016
– Shelved
June 20, 2016
–
Finished Reading
Comments Showing 1-5 of 5 (5 new)
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by
Jody
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rated it 2 stars
Jun 26, 2016 07:26AM
It's pretty crap, isn't it?
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I was struggling to remember why I gave it two stars until I re-read my review ... it was because I didn't hate it enough not to finish it. I certainly didn't feel the "great love" that apparently exists between whats-her-name and the old dude.