Will Byrnes's Reviews > The Help

The Help is a tale of lines, color, gender and class, in the Jackson, Mississippi of the early 1960s. This is a world in which black women work as domestics in white households and must endure the whims of their employers lest they find themselves jobless, or worse. It is the Jackson, Mississippi where Medgar Evers is murdered, and where spirit and hope are crushed daily. It is the Jackson, Mississippi where Freedom Riders are taken from a bus, a place where segregation and racism are core beliefs and where challenge to the status quo is met with resistance, to the point of violence. It is a time of political turmoil on the national stage, as the civil rights movement is picking up steam. It is also a place where using the wrong bathroom could get a black person beaten to death.


Kathryn Stockett -image from The Telegraph

The Help sees this world through three sets of eyes, Aibeleen, a fifty-something black woman who has taken care of many white children and is beginning again with a newborn. Minny, in her thirties, has troubles enough at home, with an abusive, drunken husband and several children of her own, but her inability to control her tongue has led to a series of jobs and a series of firings. Skeeter is a young white woman, newly graduated from college, and eager to pursue a career in writing. Skeeter has grown a conscience and no longer accepts the presumptions of the past. She yearns to know what happened to Constantine, the black woman who was so important to her as a child. Skeeter sees the unfairness of the social structure. She engages Aibeleen, Minny and a host of other black domestic workers to tell their stories for a book, hoping to expose the hypocrisy and cruelty of Jackson’s white society.

The story not only places the events in historical context, but offers a taste of what it must have been like for the Aibeleens, Minnys and Skeeters of the time. Stockett has created living, breathing characters, people you can relate to, cheer and cry for. If there is softness here, it is that the devils are painted in glaring red, which may be an accurate portrayal of the time, but makes for a melodramatic feel at times. The heroines are fully realized. We get a sense of how they came to be the way they are. While we are offered some background on the baddies, it is not enough to make them as completely human as the three narrators.

The Help is a powerful, moving read, blessed with a colorful, believable cast of characters, a compelling setting and an eternal message of shared humanity, a knockout of a first novel.


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Stockett's Twitter and Goodreads pages

There is a website with her name, but it has been hijacked by a Japanese entity. The last entry on her FB page is from 2010.